Thursday, September 14, 2017

Why the fuck?

What're we doin' here, y'all?

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Monday, September 4, 2017

Rilke on marriage

"The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky."

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Friday, August 25, 2017

1 In 10 Bernie Sanders Supporters Ended Up Voting For Trump : NPR

1 In 10 Bernie Sanders Supporters Ended Up Voting For Trump : NPR

Here's How Many Bernie Sanders Supporters Ultimately Voted For Trump

Democratic presidential candidate Sen. Bernie Sanders of Vermont inspired millions of loyal supporters, some of whom chose not to support Hillary Clinton in the general election in 2016.

Sandy Huffaker/AP

Fully 12 percent of people who voted for Sen. Bernie Sanders, I-Vt., in the 2016 Democratic presidential primaries voted for President Trump in the general election. That is according to the data from the Cooperative Congressional Election Study — a massive election survey of around 50,000 people. (For perspective, a run-of-the-mill survey measuring Trump's job approval right now has a sample of 800 to 1,500.)

Political science professor Brian Schaffner of University of Massachusetts, Amherst tweeted the data on Wednesday.

Schaffner's numbers show that after a bitter Democratic primary, more than 1 in 10 of those who voted in the primaries for the very progressive Sanders ended up voting for the Republican in the general election, rather than for the Democratic candidate, Hillary Clinton.

What drove those voters to Trump? Schaffner dug into that, as well. What it wasn't was trade, an issue where Sanders was closer to Trump's philosophy than Clinton's. At least, the issue of trade didn't seem to have that much of an impact.

For those suggesting this is about trade, note that opposition to TPP is not dramatically different among defectors. 8/n pic.twitter.com/Fu0GhL58bU

— Brian Schaffner (@b_schaffner)

Party seems to have had something to do with it — Sanders-Trump voters were much less likely than Sanders-Clinton or Sanders-third party voters to have been Democrats. Likewise, approval of President Barack Obama appears to be related — Sanders-Trump voters approved of Obama much less than other Sanders primary voters.

It is also the case that the defectors are not fans of Obama, as this chart shows. 7/n pic.twitter.com/HjictmLnnT

— Brian Schaffner (@b_schaffner)

And then there is race. Nearly half of Sanders-Trump voters disagree with the idea that "white people have advantages."

But there does appear to be a racial component to this, as defectors are much more likely to disagree that whites are advantaged in US 9/n pic.twitter.com/zcoHm9APNf

— Brian Schaffner (@b_schaffner)

This tracks with broader observations about election 2016 — for example, as I wrote last week, in general, the larger a state's general-election Trump vote, the less likely its residents are to perceive a lot of discrimination in the world, according to data from the Public Religion Research Institute. And another postelection study — co-authored by Schaffner — found a "relatively strong indication that racism and sexism were more important in 2016 than they had been in previous elections."

Caveats, caveats, caveats

To answer the question that many Clinton supporters may be asking: By this data, yes — there are enough of those Sanders-Trump voters who could have potentially swung the election toward Clinton and away from Trump.

Specifically, if the Sanders-Trump voters in Michigan, Wisconsin and Pennsylvania had voted for Clinton, or even stayed home on Election Day, those states would have swung to Clinton, and she would have won 46 more electoral votes, putting her at 278 — enough to win, in other words.

But then, it's not as simple as that. First off, this counterfactual world in which these voters didn't vote for Trump rests on a few ifs. If the Sanders-Trump voters in these three states had defected and if nothing else had happened to somehow take electoral votes from Clinton elsewhere and if this survey is correct ... then yes, Clinton would have won. (Some would also argue that if Clinton had campaigned more in the so-called "blue wall" states, she also could have picked up more votes.)

A more important caveat, perhaps, is that other statistics suggest that this level of "defection" isn't all that out of the ordinary. Believing that all those Sanders voters somehow should have been expected to not vote for Trump may be to misunderstand how primary voters behave.

For example, Schaffner tells NPR that around 12 percent of Republican primary voters (including 34 percent of Ohio Gov. John Kasich voters and 11 percent of Florida Sen. Marco Rubio voters) ended up voting for Clinton. And according to one 2008 study, around 25 percent of Clinton primary voters in that election ended up voting for Sen. John McCain, R-Ariz., in the general. (In addition, the data showed 13 percent of McCain primary voters ended up voting for Obama, and 9 percent of Obama voters ended up voting for McCain — perhaps signaling something that swayed voters between primaries and the general election, or some amount of error in the data, or both.)

All of that said, one other figure that stuck out to Schaffner: Compared with those numbers above, Clinton 2016 voters were remarkably loyal — "I found basically no Clinton primary voters who voted for Trump," he told NPR in an email.

When will it end?

Data like this might seem like yet another step in what will be an endless 2016 election relitigation. And it's true that there is bound to be plenty more in the coming months and years — particularly as Clinton releases her memoir on the campaign next month.

All of the unusual factors in election 2016 — the first female major-party candidate, the first major-party candidate with no military or elected-office experience — combined with the election's surprises — that there were actually a number of Obama voters who went for Trump, that the far-better-funded candidate lost, that the Republicans essentially torched the playbook they wrote after they lost in 2012 — mean that there are plenty of questions to answer in coming years.



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Wednesday, July 5, 2017

Sunday, June 4, 2017

For those seeking more detail on the Paris Climate Accord

Click on the blue Facebook logo in the upper right-hand corner and then go to the comments for more information...

For those seeking more detail on the Paris Accord and climate disruption...

Sources: The data and scenarios are from...

Posted by Alex Tango Fuego on Friday, June 2, 2017

Tuesday, May 30, 2017

Makin' Moves by Kouhei Nakama

#MondoBizarroCoolAsShit #KouheiNakama #OutOfThisWorldCreative



MAKIN' MOVES from Kouhei Nakama on Vimeo.





CYCLE from Kouhei Nakama on Vimeo.





DIFFUSION from Kouhei Nakama on Vimeo.

Orquesta Típica Misteriosa Buenos Aires / 7 de enero (J.Arias)

As good as it gets...

Nuevo videoclip de 7 de enero, tango de Javier Arias que registramos en nuestro ultimo disco "Tu lado acústico" con la aparición estelar de: Roxana Suarez/Sebastián Achaval, Inés Muzzopappa/Fernando Galera y Rocio Lequio/Bruno Tombari.

Saturday, May 6, 2017

La Cumparsita Redux :: La Ultima Canción :: 100th Anniversary


La_cumparsita_partitur



Note that April 16, 2017 is the 100th Anniversary of the song...

http://www.worldnewsenespanol.com/309_hispanic-world/4507519_uruguay-celebrates-100th-anniversary-of-la-cumparsita-tango.html

http://www.elintransigente.com/espectaculo/musica/2016/8/23/uruguay-quiere-declarar-2017-como-tango-la-cumparsita-398734.html



On the subject of why La Cumparsita is played as the last song at milongas:

This from Glen Royce on Facebook:

Alex: Ahhh- I thought the story was more well-known! :) Pugliese was a communist, and one night the police showed up at the milonga where his orquestra was playing, to bring him in, right when they were playing 'La Cumpa' ...my good tanguero friends down here in BA who are in their 70's and 80's say he WAS arrested, and so the milonga was finished- end of the night! (because the orquestra's director had been taken away...!) Anyway, feel free to read and visit the folllowing : ;)

"Once when Pugliese was playing La Cumparsita, the police entered the club he was performing in, and directed everything to stop as he was banned. The club owners said that they could not be interrupted whilst the orchestra was playing and the dancers was tangoing. On stage, Pugliese was told about this - so started playing La Cumparsita over and over again. The audience just kept on dancing! Eventually the police gave up and left. It was, perhaps, a world record in playing La Cumparsita?"

***Again, I have been told Pugliese DID get arrested and the milonga was finished for the night (no more director OR pianit...!) So that was the last song of the night! :)







And this from Luigi Seta - his blog at: http://tangopills.blogspot.com/2017/04/por-que-la-cumparsita-es-el-ultimo.html

Saturday, April 22, 2017
¿Por qué La Cumparsita es el último tango de la milonga? (Why is La Cumparsita the last tango of the milonga?)
Los milongueros asocian este tango inmortal con Juan D’Arienzo, El Rey del Compás, porque revolucionó todo el mercado con su grabación.

The milongueros associate this immortal tango with Juan D'Arienzo, El Rey del Compás, The King of the Beat, because he revolutionized the whole market with his recording.

Fue además el tema que más veces grabó, hasta en 7 oportunidades. En los años 1928 y 1929, con las voces de Carlos Dante y Raquel Notar, respectivamente, para el sello Electra, propiedad de su tío, Alfredo Améndola. Y luego para el sello Victor en otras cinco placas, en los años 1937, 1943, 1951, 1963 y 1971. La placa de 1951 tenía en la otra faz, la milonga de Pintín Castellanos La Puñalada, que también registró en cuatro ocasiones, y batió records de venta.

It was also the tango that he recorded the most times, up to 7 opportunities. In 1928 and 1929, with the voices of Carlos Dante and Raquel Notar, respectively, for the Electra label, owned by his uncle, Alfredo Améndola. And then for the Victor label on five other records, in 1937, 1943, 1951, 1963 and 1971. The record of 1951 had on the other side, the milonga of Pintín Castellanos La Puñalada, which also recorded four times, to became a sales blockbuster.

La versión de 1951 fue tan famosa, con más de un millón de discos vendidos sólo en Argentina, y más de doscientos mil en Japón, que el público deliraba al escucharla en sus presentaciones en vivo, entonces Juancito decide dejarla siempre para el final de sus shows, como la frutilla del postre.


The 1951 version was so famous, with more than one million albums sold only in Argentina, and more than two hundred thousand in Japan, that the audience raved when listening to it at their live performances, so Juancito decides to leave it always for the end of their Shows, as the icing on the cake.

Y fue así que se impuso como cierre de las milongas a partir de de los años cincuenta en todos los clubes de Buenos Aires. Y quedarse sin bailar este último tango significaba toda una frustración.

And so it was imposed as a closure of the milongas since the fifties in all clubs in Buenos Aires. And then, staying without dancing this last tango meant a whole frustration.

Los muchachos de entonces se reunían para escucharla y también se armaba toda una revolución en las milongas con este tema. Fulvio Salamanca, el pianista de D’Arienzo por 17 años, tuvo especial intervención en los arreglos de esta versión de 1951 y se nota su sabia mano en el resultado final. Una obra maestra y super milonguera.

The guys of the time met to listen to it at home, the streets, everywhere, and then a whole revolution was set up in the milongas with this tango. Fulvio Salamanca, the D'Arienzo pianist for 17 years, had an special intervention in the arrangements of this version of 1951 and it shows his wise hand in the final result. A super milonguera masterpiece.

A continuación La cumparsita por la orquesta de Juan D'Arienzo, en su versión del año 1951, quizás la más famosa de todas.

Next The cumparsita by the orchestra of Juan D'Arienzo, in its version of the year 1951, perhaps the most famous of all.

Presten atención al toque magistral del piano a cargo de Fulvio Salamanca, que le imprimió el clásico compás a la orquesta, una variación moderna y menos eléctrica, que la que le impusiera Rodolfo Biagi.

Pay attention to the masterful touch of the piano by Fulvio Salamanca, who impressed the classic compass to the orchestra, a modern and less electric variation, than that imposed by Rodolfo Biagi.

Escuchen a Enrique Alessio, primer bandoneón, en su famosa variación del segundo coro, magistral, sin palabras.


D'Arienzo, and his line of bandoneons
Junnissi, Lazzari and Alessio

Listen to Enrique Alessio, first bandoneon, in his famous variation of the second choir, masterful, without words.

No dejen de lado la melancolía del final, con el toque impecable del primer violín de la orquesta, Cayetano Puglisi.

Do not leave aside the melancholy of the end, with the impeccable touch of the first violin of the orchestra, Cayetano Puglisi.

Finalmente, la perfecta sincronización instrumental que en corto tiempo le diera a Juan D'Arienzo el acertado calificativo de El Rey del Compás.

Finally, the perfect instrumental synchronization that in a short time gave Juan D'Arienzo the correct qualifier of El Rey del Compás, the King of the Beat.

¡A disfrutar esta joya!
Enjoy this gem!














Here's my prior post:

La Cumparsita

La_cumparsita_partitur


La Cumparsita is the song that is traditionally the last song played at a milonga. It signals to everyone that this is the last song, and that the milonga has concluded. There was a time when I was on a mission to collect as many versions of the song as I could find. At this point, I have forty [40] distinct versions.

It was written by Gerardo Hernán Matos Rodríguez, an amateur pianist and architecture student, in late 1915 or early 1916 by all accounts. He was 17 years old when he wrote it. It's important to note that he was a student in Montevideo - so the song originated in Uruguay.

The song has a very interesting story behind it - with changed lyrics, new music arrangements, ownership and royalties lawsuits (four or five), and plenty of drama over the years. It's often billed as "the most famous tango in the world". Astor Piazzolla called it "the most frighteningly poor thing in this world" in reference to the original score by Matos Rodríguez and its simple melody.




Here are a couple of links to good, in depth treatments of the song and its history:

Keith Elshaw's www.totango.net

Ricardo García Blaya's www.todotango.com

Note that both of these sites contain a wealth of information about tango music and all things tango.

Alberto Paz' www.planet-tango.com includes a lyrics translation of the re-written version. Alberto's site is well known for his lyrics translations, and also includes a wealth of information about tango.




This 1930 version, with the original lyrics sung by the opera singer Tito Schipa, is my personal favorite.





Lastly, here's a "mashup" of many versions over 26 years...

Tuesday, May 2, 2017

Jimmy Carter, Henry Kissinger and the U.S. Role in Argentina's Dirty War

Newly-declassified docs show that Jimmy Carter's support for Argentine junta's "counter-terrorism" belies his popular image as a humanitarian. 

Although former U.S. President Jimmy Carter is widely applauded for his human rights agenda in foreign policy, newly-declassified documents related to the U.S. role in Argentina's Dirty War indicates that the Democrat was fully aware of the junta's brutal crackdown on Leftist dissidents but turned a blind eye–even offering fawning praise at times–and qualified the regime's torture and murder as necessary to combat "terrorism."

http://www.telesurtv.net/english/news/Jimmy-Carter-Offered-Fawning-Praise-of-Argentine-Dirty-War-20160814-0007.html



But then there's this: (Not the Trump part, but the award part...)


TRUMP BLOCKS ARGENTINA TRIBUTE TO JIMMY CARTER

BY   · PUBLISHED  · UPDATED 

WASHINGTON, April 29, 2017—Argentine President Mauricio Macri planned to award President Jimmy Carter the Order of the Liberator General San Martín, the highest distinction Argentina awards a foreign person, during his visit to Washington this week. However, the award ceremony was cancelled after an explicit request by the Trump administration, according to several reports.

Carter was nominated for the award by former Argentine ambassador to the U.S., Martin Lousteau, for Carter's work to strengthen human rights during Argentina's military dictatorship in the late 1970s and early 1980s.

The award was announced in the Argentine government's Official Bulletin in March, and it was later decided that President Macri would preside over an award ceremony during his visit to Washington in April.

The award ceremony was abruptly cancelled days before Macri's visit. The official explanation for the cancellation was scheduling problems, but a source in the Argentine government who spoke to CNN Español on the condition of anonymity stated that the ceremony was cancelled at the specific request of the Trump administration for a delay.

The source also told CNN that Macri chose to comply with the request to "avoid conflicts" and to discuss issues that were important to both administrations.

Macri was one of the first world leaders to call Trump to congratulate him on his electoral victory in November 2016. According to Argentine newspaper La Nación, Trump asked Macri to expedite the issuance of permits that were holding up a Trump-branded office building project in Buenos Aires during the call. Both Macri and Trump denied that Trump's building project in Buenos Aires was discussed.

Another source suggests that the Argentine Foreign Ministry asked Macri to present the award to Carter despite Trump's request, especially since it had already been approved and announced in the country's official bulletin.


http://www.arbiternews.com/2017/04/29/trump-rejects-argentina-tribute-jimmy-carter/


Carter's efforts to promote or protect human rights  in Argentina appear to be pretty damn weak. Combine this with the fact that the U.S. was giving military aid to the military dictatorship of Argentina up until the very end of the Dirty War would indicate that U.S. policy supported, and was essentially complicit in, the atrocities of Argentina' Dirty War.

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Friday, March 31, 2017

The Menace of Unreality

Starbird is in the field of "crisis informatics," or how information flows after a disaster. She got into it to see how social media might be used for the public good, such as to aid emergency responders.


Instead she's gone down a dark rabbit hole, one that wends through the back warrens of the web and all the way up to the White House.


Starbird argues in a new paper, set to be presented at a computational social-science conference in May, that these "strange clusters" of wild conspiracy talk, when mapped, point to an emerging alternative media ecosystem on the web of surprising power and reach.


- Danny Westneat, Seattle Times, Mar 29, 2017


http://www.seattletimes.com/seattle-news/politics/uw-professor-the-information-war-is-real-and-were-losing-it/


UW professor: The information war is real, and we're losing it

 

A University of Washington professor started studying social networks to help people respond to disasters. But she got dragged down a rabbit hole of twitter-boosted conspiracy theories, and ended up mapping our political moment.

It started with the Boston marathon bombing, four years ago. University of Washington professor Kate Starbird was sifting through thousands of tweets sent in the aftermath and noticed something strange.

Too strange for a university professor to take seriously.

"There was a significant volume of social-media traffic that blamed the Navy SEALs for the bombing," Starbird told me the other day in her office. "It was real tinfoil-hat stuff. So we ignored it."

Same thing after the mass shooting that killed nine at Umpqua Community College in Oregon: a burst of social-media activity calling the massacre a fake, a stage play by "crisis actors" for political purposes.

"After every mass shooting, dozens of them, there would be these strange clusters of activity," Starbird says. "It was so fringe we kind of laughed at it.

"That was a terrible mistake. We should have been studying it."

Starbird is in the field of "crisis informatics," or how information flows after a disaster. She got into it to see how social media might be used for the public good, such as to aid emergency responders.

Instead she's gone down a dark rabbit hole, one that wends through the back warrens of the web and all the way up to the White House.

Starbird argues in a new paper, set to be presented at a computational social-science conference in May, that these "strange clusters" of wild conspiracy talk, when mapped, point to an emerging alternative media ecosystem on the web of surprising power and reach.

It features sites such as Infowars.com, hosted by informal President Donald Trump adviser Alex Jones, which has pushed a range of conspiracies, including that the Sandy Hook school shooting was a staged fake.

There are dozens of other conspiracy-propagating websites such as beforeitsnews.com, nodisinfo.com and veteranstoday.com. Starbird cataloged 81 of them, linked through a huge community of interest connected by shared followers on Twitter, with many of the tweets replicated by automated bots.

Infowars.com alone is roughly equivalent in visitors and page views to the Chicago Tribune, according to Alexa.com, the web-traffic analysis firm.

"More people are dipping into this stuff than I ever imagined," Starbird says.

Starbird is in the UW's Department of Human Centered Design & Engineering — the study of the ways people and technology interact. Her team analyzed 58 million tweets sent after mass shootings during a 10-month period. They searched for terms such as "false flag" and "crisis actor," web slang meaning a shooting is not what the government or the traditional media is reporting it to be.

It happens after every mass shooting or attack. If you search for "false flag" and "Westminster," you'll find thousands of results theorizing that last week's attack outside British Parliament was staged (presumably to bring down Brexit, which makes no sense, but making sense is not a prerequisite).

Starbird's insight was to map the digital connections between all this buzzing on Twitter with a conglomeration of websites. Then she analyzed the content of each site to try to answer the question: Just what is this alternative media ecosystem saying?

It isn't a traditional left-right political axis, she found. There are right-wing sites like Danger & Play and left-wing sensationalizers such as The Free Thought Project. Some appear to be just trying to make money, while others are aggressively pushing political agendas.

The true common denominator, she found, is anti-globalism — deep suspicion of free trade, multinational business and global institutions.

"To be antiglobalist often included being anti-mainstream media, anti-immigration, anti-science, anti-U.S. government, and anti-European Union," Starbird says.

So it was like the mind of Stephen Bannon, chief adviser to Trump, spilled across the back channels of the web.

Much of it was strangely pro-Russian, too — perhaps due to Russian twitter bots that bombarded social channels during the presidential campaign (a phenomenon that's now part of the FBI investigation into the election, McClatchy reported last week).

The mainstream press periodically waded into this swamp, but it only backfired. Its occasional fact checks got circulated as further evidence: If the media is trying to debunk it, then the conspiracy must be true.

Starbird is publishing her paper as a sort of warning. The information networks we've built are almost perfectly designed to exploit psychological vulnerabilities to rumor.

"Your brain tells you 'Hey, I got this from three different sources,' " she says. "But you don't realize it all traces back to the same place, and might have even reached you via bots posing as real people. If we think of this as a virus, I wouldn't know how to vaccinate for it."

Starbird says she's concluded, provocatively, that we may be headed toward "the menace of unreality — which is that nobody believes anything anymore." Alex Jones, she says, is "a kind of prophet. There really is an information war for your mind. And we're losing it."

I sat dumbfounded for a time as she spooled through tweets in her database: an archive of endless, baseless speculation that nevertheless is evidence of a political revolution. It should be unnecessary to say, but real humans died in these shootings. How disgustingly cruel it is to the survivors to have the stories of those deaths altered and twisted for commercial or ideological ends.

Starbird sighed. "I used to be a techno-utopian. Now I can't believe that I'm sitting here talking to you about all this."

Link to her paper: http://faculty.washington.edu/kstarbi/Alt_Narratives_ICWSM17-CameraReady.pdf

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