Monday, February 1, 2016

"Keep Dancing" Documentary :: Watch Free for a limited time!

I'm hugely grateful to have tango in my life. If I make it to 90, in the year 2050, I will have been dancing tango for 47 years  - over half of my life. Perhaps my walk will not suck by then, and maybe I will have advanced beyond beginner, and maybe even deserve to be called a Milonguero. 

Here's an award winning short documentary (21 mins) about two Broadway dancers, both 90 years young, who still dance twice a week in a rented studio in New York City.


Watch the  award-winning short film, Keep Dancing. Free for a limited time only!

"Singularly endearing!" - The New York Times
"Keep Dancing is a testament to the vitality of existence." - Slash Film
"Elegant gem of a film" - City Arts
"Enchantingly inspiring film!" - Backstage

After celebrated careers, legendary dancers Marge Champion and Donald Saddler became friends while performing together in the Broadway Show Follies in 2001. When the show closed, they decided to rent a private studio together, and they have been choreographing and rehearsing original dances ever since. At age 90, they continue to pursue their passion for life through their love and mastery of dance. Keep Dancing seamlessly blends nine decades of archival film and photographs with present-day footage to tell a story through dance of the passing of time and the process of aging.

Official Selection at South by Southwest, Dance on Camera at Lincoln Center, Silverdocs, Sedona International Film Festival and over 25 other international film festivals. Nominated for the IDA Short Documentary of the Year Award.

Friday, January 22, 2016

Can Another Body Be Seen as an Extension of Your Own? Tango makes it into Scientific American

kind of illusion

Scientific America/Mind

Can Another Body Be Seen as an Extension of Your Own?

Surprising results show the fluidity of the "body schema"

By Julie Sedivy on January 12, 2016

The relationship between a person’s notion of self-hood and the openness of their body schema to another human being hints that perhaps it’s no coincidence that tango, which takes entanglement to sublime heights, originated in a culture that orients toward interdependence.

They want $500 for me to post an excerpt for up to 12 months.

Fuck that noise.

Here is the link.

http://www.scientificamerican.com/article/can-another-body-be-seen-as-an-extension-of-your-own/

Thursday, January 21, 2016

Tango Voice :: Understanding Argentine Tango :: Tango in North America vs. in Buenos Aires

https://tangovoice.wordpress.com/2016/01/07/understanding-argentine-tango-with-the-assistance-of-milongueros-its-not-just-another-ballroom-dance/#comments


Excerpt: (the complete post is a fairly long one...be sure to click the link above to read it in its entirety...)

"In looking out across the dance floor at many events advertised as ‘milongas’ in North America, it is apparent that the character of the dancing while tango music is playing is very different from the tango dancing in a typical milonga in Buenos Aires [Tango de Salon: The Tango of the Milonga (Part II of ‘Tango Styles, Genres and Individual Expression’)]. What one often sees among dancers in the North American event is a collection of step patterns, with names most dancers using them could recite, such as ‘sandwich’, ‘lustrada’, ‘boleo’, ‘gancho’, ‘sacada’, ‘arrastre’, ‘volcada’. (A categorization of tango into named steps is given in ‘Figures of Argentine Tango’.) Among the men who have acquired a collection of movements, there is often a display consisting of a nearly continuous and sometimes predictable sequence of step patterns, often without regard to the progression of the line of dance; complexity in the physics of movement appears to be favored over the highly improvised linking of small movements (often those lacking a codified name) that utilize only the space needed to progress in the circulating ronda. Many women appear to be focused on performing embellishments, finding as many opportunities as possible to use them, often without regard to whether or not the man has provided time and space for their execution, and without regard to the space between them and other dancers on the floor (Women’s Adornments for Tango Social Dancing). Tango dancing at North American milongas often appears to be a performing art (with questionable artistic properties), directed by the brain, not a social and emotional interchange between partners, directed by the music. Often absent in dancing to tango music in North American milongas is an embrace between man and woman, i.e., chest-to-chest contact maintained through the dance or, if there is any embrace at all, it is broken apart for the performance of conspicuous step patterns. Also absent is a close connection of movement with the music, even when the dance-facilitating classic tango music from the Golden Age is played for dancing. For the dancers who more or less are connected to the music (i.e., moving in conjunction with the primary beat), they are not exploring the intricacies of music by taking into account syncopations, as well as pauses associated with musical phrasing. It often appears as though the music is only a background for executing patterns, not a framework for structuring the dance. In the most extreme cases, the music played for dancing at these events advertised as ‘milongas’ (sometimes ‘alternative milongas’) is not tango music designed for dancing tango (i.e., classic tango music)."

In Stranger's Arms :: Tango book

http://instrangersarms.com/

Monday, November 30, 2015

The War Against Indiscipline / Nigeria / 1983

NPR story...

Sent from my iPhone

Wednesday, July 8, 2015

Gonna manifest myself some new reality

P1090175-1

File under 4 am epiphanies...ever have something you know to be true? Nagging at you for years...too many years...behind the veil...but there, telling you, asking you notice. Shouting at you to notice. Well, for me, it rang like a big-ass bell really loudly just a bit ago. I'm doing the wrong thing. I've been doing the wrong thing for 37 years. Yes, I love it. Yes, I'm very good at it. But I've felt in a corner of my soul that it's not what I was meant to do, not what I want to do - "Do", or "DO" in this life. I've been getting the signal(s) over the years, and have largely ignored them. I hear, and notice, and ponder, and roll it around in my hands and look closely at it - very aware and lucid and alert. But I still ignore those signs where the rubber meets the road. I "knew" what I wanted to do, and what I didn't want to do, in this life - way back when I was 16 or 17. At the ripe age of 18, I got sidetracked. I have a history of taking paths I don't really want to take. Not want I truly madly deeply full of love and bliss "want" to do. I travel down those paths for far too long. Water under the bridge. Lost opportunities for some fucking richness in this life. No regrets, though, right?. There is still plenty of time. Time to change. Time to manifest some new reality.

Sunday, June 7, 2015

Our Last Tango :: A Film by German Kral

OurLastTango_Recto_V17







Our Last Tango
Un Tango Mas (original title)


A film by German Kral

"Our Last Tango“ is above all a love story. A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango.

María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María!

Eventually, he left her for good for a woman 20 years younger with whom he fathered two children.

Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.

In "Our Last Tango“ Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of Juan and Maria’s lives into incredible tango-choreographies. These beautifully-shot choreographies compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.


As of June 2015, Wide House Films is looking for a distributor in the U.S.

- See more at: http://widehouse.org/film/our-last-tango/#sthash.GACwigUD.dpuf

Saturday, June 6, 2015

Oldie but Goodie Tango Film

Anyone know any of the details behind this video, uh film clip, rather? Besides the fact that it stars Tobey McGuire's grandfather (right in the beginning)?

Een kijkje in het verleden. De Tango van toen!

Posted by Centaur Cheiron Salon on Wednesday, May 14, 2014

Sunday, May 24, 2015

The Recipients :: Saving a Legacy

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Sent from my iPhone

AlexTangoFuego