File under 4 am epiphanies...ever have something you know to be true? Nagging at you for years...too many years...behind the veil...but there, telling you, asking you notice. Shouting at you to notice. Well, for me, it rang like a big-ass bell really loudly just a bit ago. I'm doing the wrong thing. I've been doing the wrong thing for 37 years. Yes, I love it. Yes, I'm very good at it. But I've felt in a corner of my soul that it's not what I was meant to do, not what I want to do - "Do", or "DO" in this life. I've been getting the signal(s) over the years, and have largely ignored them. I hear, and notice, and ponder, and roll it around in my hands and look closely at it - very aware and lucid and alert. But I still ignore those signs where the rubber meets the road. I "knew" what I wanted to do, and what I didn't want to do, in this life - way back when I was 16 or 17. At the ripe age of 18, I got sidetracked. I have a history of taking paths I don't really want to take. Not want I truly madly deeply full of love and bliss "want" to do. I travel down those paths for far too long. Water under the bridge. Lost opportunities for some fucking richness in this life. No regrets, though, right?. There is still plenty of time. Time to change. Time to manifest some new reality.
Wednesday, July 8, 2015
Monday, June 8, 2015
Sunday, June 7, 2015
Our Last Tango
Un Tango Mas (original title)
A film by German Kral
"Our Last Tango“ is above all a love story. A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango.
María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María!
Eventually, he left her for good for a woman 20 years younger with whom he fathered two children.
Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.
In "Our Last Tango“ Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of Juan and Maria’s lives into incredible tango-choreographies. These beautifully-shot choreographies compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.
- See more at: http://widehouse.org/film/our-last-tango/#sthash.GACwigUD.dpuf
Saturday, June 6, 2015
Anyone know any of the details behind this video, uh film clip, rather? Besides the fact that it stars Tobey McGuire's grandfather (right in the beginning)?
Monday, June 1, 2015
Sent from my iPhone
Posted by AlexTangoFuego at 6:18 AM
Sunday, May 24, 2015
<iframe src="http://www.npr.org/player/embed/408764802/408764872" width="100%" height="290" frameborder="0" scrolling="no">
Sent from my iPhone
Posted by AlexTangoFuego at 12:04 PM
Saturday, May 16, 2015
On the subject of PARTNER ROTATION IN CLASSES...a woman recently invited me to take a class with her for an upcoming workshop, because she said, the last workshop she took there was a reluctance (refusal?) amongst attendees to rotate, and the teacher didn't impress upon them the benefits nor actually insist on rotation.
It's really a disservice to both leader and follower not to insist on partner rotation (in a fun, non-off-putting way). In my experience, there are nuances in both roles that manifest with different partners that are critical to learning proper vocabulary and "grammar".
Not to mention the psychological and social aspects - ice breaking, meeting new people, community building, getting people out of their comfort zone, and last but not least, letting those new to tango know that tango is a social dance, to be danced with multiple partners, not just their spouse or significant other or practice partner or preferred partner.
If leaders can't effectively lead whatever is being taught with every follower in the room, then they aren't really leading it, and worse, they haven't learned the lead as truly/madly/deeply as they could have.
Lastly, kind and compassionate mutual feedback/constructive criticism - in the spirit of giving/helping/learning - between lead and follow is hugely critical. I want followers to tell me what they are getting/feeling from/with my lead, obviously only in a class/practica setting, as well as give me feedback if my left arm is too far forward/back/too high, if my right arm is too tight, if I'm not opening up and giving room in the molinete, etc and all of the multitudinous nuances of the embrace, etc. I do my best to adjust to each follower - I call it equilibration - but you never really know without feedback. The key being kind/compassionate/constructive.
And obviously this goes both ways - leader feedback to the follower(s) - I've written this from a leader's perspective.
And also, this comes from a former non-rotation/rotator who learned the error of his ways very early on.
Anyway, just thought I would put this out there...
Anyone have any examples of wording/approach/games, etc to facilitate rotation...?
Sent from my iPad
Posted by AlexTangoFuego at 8:01 AM
Thursday, May 14, 2015
Sunday, April 5, 2015
Hmm. I never knew about this one. From 1990, the really very early days of the spread of Argentine Tango in the U.S.
And the Wiki page on the Zwi Migdal, another bit of history I didn't know about: http://en.wikipedia.org/wiki/Zwi_Migdal
IMDB for the film: http://www.imdb.com/title/tt0100222/
Plot summary: Returning by ship to South America, a young girl escapes her elderly husband by swapping places with a girl committing suicide. She believes her new life will be that of an arranged marriage but finds it is in fact a trick to get her working in a brothel...
Sunday, March 29, 2015
A new film from Hernan Findling and Oliver Kolker...
Link to Vimeo for 24 hour rental:
Interview with Oliver re: Kickstarter campaign:
Interview with Oliver, en Espanol:
Fermin is set primarily in Buenos Aires, Argentina. Fermin Tundera (Hector Alterio) is an 85 year-old patient at a typical "third-world" public hospital being treated for post-traumatic stress disorder and depression. It has been decades since Fermin was committed to the institution yet his condition has not improved. Ezequiel Kaufman (Gaston Pauls) is a 33 year-old psychiatrist who comes on the scene to treat the difficult patient and discovers that he is only able to communicate by using the cryptic lyrics of Tango, a peculiar characteristic indeed.
We witness a wonderful doctor / patient relationship develop as we are periodically taken back in time to Fermin's younger years as one of the most popular tango dancers in 1940s Buenos Aires. In an effort to better understand his patient, the young ambitious doctor finds himself immersed in the tango world. Not only does Ezequiel find passion in this beautiful dance but also finds love when he meets Fermin's beautiful grandaughter, Eva (Antonella Costa), herself a popular tango dancer.
Fermin's condition steadily improves as we ultimately learn the reason for his peculiar illness.
Click to enlarge photo: