Showing posts with label For Followers. Show all posts
Showing posts with label For Followers. Show all posts

Sunday, June 20, 2021

Olga Metzner :: I dance with a man who tries to impress. Me, the people watching, himself. He’s a good dancer, but he tries too hard...

I dance with a man who tries to impress. Me, the people watching, himself. He’s a good dancer, but he tries too hard,...

Posted by Olga Metzner on Friday, June 18, 2021




I dance with a man who tries to impress. Me, the people watching, himself. He’s a good dancer, but he tries too hard, and it feels, especially from the inside. There’s no lightness in his movements, no joy, just pride and fear of judgement. This fear takes away the ability for us to connect, and I’m growing increasingly distant, slowly starting to judge myself, too, and the connection falls apart. I know what it feels like to be him, because I’ve been that dancer as well, when I tried too hard. I’m learning to let go, and it’s hard. 

 I dance with a woman who is afraid to give me her weight, even a tiny little bit. She wants to be a butterfly, light and feathery, I sense she dreams of floating above the floor, and even her clothes somewhat reflect it, her skirt is soft and moves with every breath and tiny move we make. Her hand is like an eggshell in my hand, I’m afraid to crush it, and I can’t anyway, since as soon as I try to hold her hand a bit tighter, her whole arm goes limp and I get a sense I’m crushing her. So I let her be her feathery self, but I can’t lead her, can’t connect to her. She is afraid to be heavy, so she disappears altogether. She’s so sure that a follower being light is the right thing, that she misses out on the one thing that makes this whole experience worth having: the connection, the interaction. Her tango is so full of question “am I too heavy now?”, that it becomes really hard to dance with her, lead her. I have been that woman, too, and I remember with such gratitude one teacher who told me to hold him, trust him with my weight. Years have passed, and I learned to have a gradation of heaviness and lightness, and play with it. And yet we can never know just how heavy or light we are for others. 

 I dance with a man with wonderful, warm close embrace, and I really really enjoy it. He is comfortable and soft and affirmative enough so that I genuinely feel cared for and connected. I smile to myself as I move. But then he opens the embrace… and I lose him. His head sinks into his shoulders, arms tense up, elbows shoot out sideways, and he shrinks a little. I’m so keen on getting back to that wonderful close embrace, and he’s keen on doing that giro with sacadas and parada in the open embrace… ohh! Finally back to the sweet close embrace, now we can really enjoy, both of us! After the tanda I think to myself, how I wish he worked a little more on his open embrace… He could be really one of my favourite dancers! Just a little but a big thing missing. And I tell myself, next time we dance I’ll try to keep the close embrace intact, for as long as it’s possible. 

 I watch a woman dance. She is amazing, her whole body dances, not just her legs. There’s very little decorations in her movement, yet she’s full of expression, femininity and power. Something about her is mesmerising. I want to be a bit more like her. How, how does she do this? She is just standing there, not moving at all, and yet there’s this intensity about her, that I want to dive into, swim in, feel connected to, learn it, and make my own. I ask her to teach me, and she passes her knowledge to me, over the years. And yet, I know this particular thing that drew me to her, that made her so fascinating, that thing eludes me. Maybe one day I will learn, maybe it’s something you can’t learn, maybe it’s something you might only live up to. That’s my goal, to find this thing, that I can’t even name, and it will be the source of my search for the rest of my life. And for now, I keep on watching this woman in fascination and admiration. To be there to watch is a real joy and honour. 

 I dance with a man who is sweet and musical, but I’m afraid to crush him. I make myself as light and as soft as possible, and yet he’s eluding me, as if afraid to touch me. Why are you so afraid of me? I answered to your cabeceo, I’m ready to be fully with you, completely merging with you and with music, why are you so afraid? Be with me! Dance with me! - I want to tell him. But of course I can’t, I can only make myself light and follow… I wish we didn’t miss out on the opportunity to be in a moment of togetherness, but you can’t be together if there’s fear or shame. So we move, we dance, but there’s so much more we could be. 

 I watch a couple dance. They are older, and there’s something truly honest about them. They stand out on the dance floor, and while everyone around them whirls and twists, they gently glide. I’ve been trying for more than a year to catch his gaze, pre-pandemic of course. He’s not the most technically perfect dancer, but he is honest. But he never looks at me. At times I wish I were older, maybe he’d look my way then. I’d so love to feel the honesty of his embrace, the commitment he clearly makes to being there with his partner. Nothing fancy, just together. One day I came up to him at the end of milonga and told him what I thought. He smiled, and said he can’t believe I’d like to dance with him. Why is it that we are so used to being put in one box within our community, to never leave it again? We are missing out on so much. I’m missing out on being able to dance with him. He is missing out on dancing with younger people, and showing them maybe what honesty in the dance really is. I don’t know, I still hope to one day dance with him. Still hope. 

 I dance with people, I watch people. This is tango, so familiar and yet so elusive. 

 Let’s keep dancing.

From Olga Metzner on Facebook - she's based in London.

Here's her website: https://www.tangobetter.com/

And she's got more articles & stories here: https://www.tangobetter.com/stories

.
.
.
.
.

Sunday, March 8, 2020

Tekla Gogrichiani :: Exquisite. Gorgeous.

Happened across this on YouTube just now. Obviously this level of movement by a follower takes years of dedication, commitment, hard work, and practice. Lots and lots of practice.








Saturday, January 13, 2018

Follower Wisdom from April Parker



Here's the text of her post:

There seems to be a misconception in my region (Atlanta/SE U.S.) surrounding the rules of engagement in milongas. I hope that an experienced dancer and teacher (ME) can shed some light on things for those of you who are confused and experiencing emotionally painful things in milongas. It can be devastating to get all dressed up, go out, and then sit all night watching everyone else have fun. It hurts because you think that maybe these other dancers don't think you're good enough. I've been there many times. And I had to get past myself in order to grow out of that time. These days it is RARE that I'm sitting out against my will.

LADIES/FOLLOWERS: You. Are. Not. Meant. To. Be. Passive. Why should you be? You can work, be breadwinners, vote, hold public office, and many other things. Why do some of you think that it has to be always the man's choice and decision to help you have a fun night of dancing? F*** all that! Cabeceo does not involve you sitting there waiting for somebody to ask you to dance with them. You should be CHOOSING the men/leaders you want to dance with! Go forth and use those eyes! Show them with your smile that you're interested in dancing with them. The leaders have a hard enough time getting the nerve up every time to ask people to dance with them, and I can guarantee many will be very delighted to see you clear a pathway for them to ask you back with their eyes, and they will know it's going to be an easy deal!

Sometimes they won't look back, though. This probably means NO. And that's ok! They also have the right to refuse- JUST AS YOU HAVE. You should NEVER turn against yourself by blaming yourself, and you should most especially NEVER turn it against them and call them snobby/elitist. Deflecting your pain onto others by blaming them is not the best way to have a good time in tango- for everyone involved. Most important thing to remember: you are not entitled to dances, period. Just because you're in the room does not mean people owe you a good time. That's your business to make a good time happen for you- not the other way around. And if good times still aren't happening, in spite of all your actions taken to mingle and meet people, and looking at partners to signal your desire to dance with them-and no one at all seems to know you exist- you've got to try to remain positive and remind yourself that NO ONE OWES YOU A GOOD TIME. Remember that from all that mingling, you've just made some new friends. And they very well may look to dance with you the next time you see them. That's not bad!

I have more that I'd like to share on this subject, but this post is already long- so I will save the rest of my thoughts for a later time. I just see the discussion happening around this week surrounding these subjects, and I feel the pain of those involved. And I want you to know that I've been there and I've gotten past that part. And I'm much happier now! I hope that my thoughts and experiences can help you also get past your pain. Please inbox me if you have questions- I'd really love to help those who desperately need to understand and want to enjoy instead of having bad experiences.

Please everyone- do not use this thread to argue your opinions on cabeceo. Or to argue at all. With all my love, I am reaching out to people who need to understand how to get past painful ruts in their tango journeys.

Love, April

And I KNOW how stinking long this post is, but I have to clarify one thing: IF YOU ARE IN A RUT AND YOU ARE FEELING BAD, READING BLOGS WILL NOT HELP YOU. Please call me, write to me, set up coffee date with me- just give me a chance to listen to you and help support you. You need help getting past this, and I want to help you.

XO