Tuesday, February 28, 2023
Monday, February 27, 2023
On Apple Podcasts: Joe's Tango podcast
Joe Yang
This podcast is for Argentine tango students who are starting to fall in love with the dance. We feature interviews with internationally renown tango instructors, event organizers, and musicians...all with the goal of gaining deeper insights into the dance. Tango is a lifelong journey, and the knowledge we gain from these conversations is designed to help challenge and motivate those seeking to improve.
Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/joes-tango-podcast/id1278462422
Friday, February 24, 2023
Thursday, February 23, 2023
Friday, February 17, 2023
#tangosinviolencia - Maria Blanco
Click in the video to redirect to the video on Maria Blanco's YouTube channel. Click below the video (on the comments) to redirect to the original post on Facebook.
Wednesday, February 15, 2023
88 milongas. Tango. Buenos Aires. 2022. #2
11,793 views Dec 27, 2022 BUENOS AIRES
88 Milongas is a personal project, a journey into the heart of tango. It features most of the milongas that took place in Buenos Aires between February and June, 2022. The movie is divided into 3 parts. I want to extend a heartfelt thank you to all the milonga organizers, musicians, and dancers who participated in the making of this film.
88 Milongas es un proyecto personal, un viaje al corazón del tango. Presenta la mayoría de las milongas que tuvieron lugar en Buenos Aires entre febrero y junio de 2022. La película está dividida en 3 partes. Quiero extender un sincero agradecimiento a todos los organizadores de milongas, músicos y bailarines que participaron en la realización de esta película.
Abrazo! Nicolas
Part 1 https://www.youtube.com/watch?v=RyESK...
Part 3 https://youtu.be/ho928zySViM
0:00:00 INTRO Buenos Aires 8 - El Choclo
0:00:20 LA CATEDRAL Nancy Louzan | Pablo Kliksberg (08.03.22)
0:03:10 LA FLOREAL (06.05.22)
0:05:25 LA PULPERA Ornella Simonetto (20.05.22)
0:07:43 EL ABRAZO VERDADERO (07.05.22)
0:16:19 LA DISCÉPOLO Rocio Lequio | Bruno Tombari (04.03.22)
0:18:16 TEATRO VERDI Orquesta Típica Esquina Sur (07.05.22)
0:20:11 TANGO BAR (05.03.22)
0:25:04 JUERNES (14.04.22)
0:28:29 DE QUERUSA (14.04.22)
0:30:50 LO DE CELIA (28.04.22)
0:33:44 MILONGA DEL ANGEL GRIS (01.04.22)
0:36:50 PARQUE LEZAMA (18.05.22)
0:38:46 PLAZA DORREGO (13.02.22)
0:43:51 PARQUE PATRICIOS (02.04.22)
0:46:28 PARQUE LAS HERAS Floor Benegas | Mauricio Dueñas (02.04.22)
0:49:28 TECHO AZUELES Laura | Humberto (17.04.22)
0:51:39 LA MILONGA DE MORAN Angélica | Juan José (23.04.22)
1:01:44 NUEVO GRICEL (28.04.22)
1:04:48 LA MILONGUITA (25.05.22)
1:07:11 MILONGA FEDERAL (28.04.22)
1:09:34 TANGO CORRIENTES Valentina Cipollone | Marcelino Fernandez + Aida Napolitano | Cidade Lucas (09.04.22)
1:16:33 MUCHACHES Verónica Bie + Benshi Dorm (20.05.22)
1:20:26 RIO DE TANGO (19.05.22)
1:23:58 LA NEOLONGA Tangorra(10.02.22)
1:27:27 JUERNES Estefanía Gomez | Fernando Rodriguez (10.02.22)
1:32:53 EL BATACAZO (17.02.22)
1:35:38 BAR LOS LAURELES (25.05.22)
1:38:44 TANGODROMO (15.05.22)
1:46:25 CASONA MILONGA (24.05.22)
1:48:40 BAYRES CLUB (18.05.22)
1:51:52 LA MANDRILERA Cecilia Garcia | Serkan Gokcesu + Corina Herrera | Rocio Lequio (20.04.22)
1:59:42 MILONGA ELEKTRA Lía Martínez | Gauche - Nicolás Tognola (21.04.22)
2:04:49 MILONGA ELEKTRA - LA CATEDRAL (07.05.22)
2:10:15 ENCUENTRO TANGO CONTACT MAR DEL PLATA Lucila | Rodriguo + Camila (24_28.02.22)
PELÍCULA
Nicolas Lavoie aka DATA DADA https://www.instagram.com/data__dada_
Sent from my iPad
Wednesday, February 8, 2023
Monday, February 6, 2023
Monday, January 30, 2023
How To Cabeceo And Mirada In The Milonga And Why - Edinburgh Tango Society - Rita Horne - Jessie Kennedy
https://edinburghtango.org.uk/story/how-to-cabeceo-and-mirada-in-the-milonga-and-why-2540
By Rita Horne & Jessie Kennedy
When the cabeceo and mirada are employed by everyone in the milonga it creates a wonderful possibility for tango leaders and followers to find, connect and dance with everyone in a respectful, kind and efficient way.
What is a tango ‘leader’ and ‘follower’?
Leaders and followers are simple terms to describe the two dance roles in a tango partnership. Tango is an improvised dance. The leader role suggests or ‘leads’ the dance. The follower role ‘follows’ or responds and plays with the leader’s suggestions. The leader dances on the music and the follower dances ever so slightly behind the middle of the musical note.
Where do the words ‘cabeceo’ and ‘mirada’ come from?
In Spanish, the word ‘Cabeza’ means ‘head’ and, therein, the word ‘Cabeceo’ refers to the ‘nod of the head’. The cabeceo is the traditional way for a tango leader to ask someone to dance in the milonga. The Spanish word ‘Mirada’ means to ‘look’ or ‘gaze’. This is the tango follower’s way of showing a particular leader that he/she is interested in dancing. In our modern times, the cabeceo and mirada can both act as a way to initiate an invitation to dance.
Why do we use the cabeceo?
This is the most respectful way to ask someone to dance without placing them, or yourself, in a socially public and possibly uncomfortable situation. The person you are asking is able to accept or decline discreetly without feeling forced or cornered. Equally, the person asking knows that the person accepting actually wants to dance and hasn’t accepted out of social obligation. Consider the scenario where a follower has just finished dancing a tanda and wishes to rest. If a leader then approaches that follower and asks for a dance, in front of everyone, that follower is publicly forced to either accept out of social obligation and not necessarily because he/she wants to dance, or decline, therein, causing a scene and possibly embarrassment on both sides. Without the cabeceo, a leader cannot be absolutely certain that their partner truly wants to dance. Would you really like to spend a whole tanda dancing with someone who doesn’t really want to dance with you? Dancing tango requires an element of trust in your partner. By inviting and accepting using the cabeceo and mirada a couple establish eye-contact which is one of the most powerful ways to build trust. Both dancers know with certainty that their partner wants to dance with them and this connection is carried forward into their dance together. One of the most wonderful reasons for using the cabeceo is because it creates an open forum with unlimited opportunities for everyone to dance with everyone. A dancer is not reliant on knowing people or limited to only dancing with friends and associates. Strangers can ask and accept invitations to dance. Dancers can truly explore and enjoy dancing with everyone. Also, imagine if there were hundreds of dancers in a milonga and then imagine if everyone had to walk around, stumbling through the crowd, in order to physically approach and ask the person they wish to dance with. The milonga would be utter chaos. Certainly, it would be a time-consuming, exhausting process to get a dance. The cabeceo allows numerous dancers to ask and accept quickly and discreetly from across the dancefloor. If declined, a leader still has time to ask someone else.
As a leader, how do I ask someone to dance using the cabeceo?
Place yourself in a position that is visible to the follower you wish to ask. Catch their eye and indicate with your eyes and any appropriate facial expression the question ‘do you want to dance’.
As a follower, how can I use the mirada to suggest to a leader that I want to dance with them?
Choose the dancer you would like to dance with. Try to catch their eye and indicate with your eyes, with a smile or anything else that you are interested in dancing with them. If that leader wants to dance with you too they will cabeceo you. Equally, be mindful of how you appear. Sit or stand in a place where leaders can easily see you. If you want to dance, be aware of your body language and make it clear to everyone around you that you DO want to dance. For example, sit up in your chair, put your phone away, look interested in the music and dancing and be open to being cabeceo’d. Smile!
How do I accept a cabeceo?
Nod your head and smile to confirm you accept the dance. Stay seated or in your position while maintaining eye-contact. Wait for your leader to approach you to escort you to the floor.
How do I decline a cabeceo or mirada?
If you notice that someone is trying to catch your eye, but you don’t wish to dance with them, try not to make eye contact and turn away to make it discreetly obvious that you are not available.
What happens if I accidentally make eye-contact with the wrong person?
If you do make eye-contact, show no reaction and quickly look away to indicate to that person that you are looking for someone else.
What should I do if my cabeceo or mirada is rejected?
If you sense that the person you are looking at is aware of you, but is looking elsewhere, then move on to another dancer and maybe try that dancer another time.
Why would someone decline my cabeceo or mirada?
There are many reasons why someone might decline your cabeceo. They may not like that music or style of tanda, or, they may want to rest for a while. Perhaps they were hoping to dance with someone else, and, it’s true, they may just simply not wish to dance with you right now. And that’s ok! It doesn’t matter. Don’t waste time and energy worrying about this. Move swiftly on to find someone else to dance with.
Do I really need to cabeceo my friends?
Yes. Of course. Your friends also deserve your respect and the option to decline your invitation. Your friends are not obliged to dance with you just as you are not obliged to dance with them.
Conclusively…
The cabeceo and mirada are fun! If you haven’t already give it a try next time you go dancing.
★
Subject: Opinion / Etiquette
Published: 5 September 2022 by Rita Horne
Saturday, January 28, 2023
Friday, January 27, 2023
Saturday, January 7, 2023
Online Progressive Program A with Gustavo y Giselle
Tango Progressive Program A
by Gustavo &Giselle
ONLINE
Mondays February/March 2023
Order Form for Online attendance
Gustavo Naveira and Giselle Anne will be ONLINE teaching their Tango Method, througt the Tango Progressive Program. This series of first 8 classes correspond to the Program:A
The Gustavo & Giselle Tango Progressive Program, consist of a series of 128 tango dance classes (Programs A to H) designed specifically to learn to dance Argentine Tango. All steps and sequences are specifically created by G&G throughout their 30 years of developing their methodology.
This is useful for beginners and/or everybody who wants to learn in a progressive order and understand the structure of the dance.
Classes will be taugth in English.
After filling the form we will contact you with the ID number to enter the meeting by Zoom.
There will be a different meetimng every class
Price
$10 per person per class
https://www.bouldertangostudio.com/registration-online-tpp
Sent from my iPad
