Monday, November 11, 2019

Jessica Schilling's Spotify Playlist for the ABQ2019 Tango Festival

Well, a partial playlist anyway...she's got other good playlists...she always shares after she DJ's at various events...


Marisol Martinez [et al] :: La Auténtica Milonguera



It looks like Marisol Martinez (formerly the singer with Romantica Milonguera) has joined up with a group of musicians and formed a Nuevo orquesta by the name of "La Auténtica Milonguera". It also looks like they are just getting started with recording and setting tour dates. Although they do show four gig dates coming up at milongas in Buenos Aires.

Keep your eyes peeled for them. And your ears open, too, I suppose. Her voice is unmistakable. As I am oft to say, "she's got a set of pipes on'er".

Congrats to Marisol and the other members of the qroup. It looks like Sebastian Castro Mendoza is their arranger or manager or both. I couldn't find any info on the other musicians...





Ears + Heart + Feet: Talking About Tango Music :: Jessica Schilling



Jessica gave this presentation at the 2019 Albuquerque Tango Festival. This is a condensed "practice" version.


From the YouTube description: Let's talk about tango music! As dancers, knowing more about tango music's history and development can help us shine -- as well as make dancing a lot more fun. This talk from tango DJ Jessica Schilling goes over some of the history of tango music, what we can learn from the different eras of tango to help inform our dancing, and what we can bring with us into the milonga. It's a condensed version of a presentation given 9 November 2019 at the Albuquerque Tango Festival.

Big thanks to Pablo Stafforini for creating the wonderful "20 Tango Endings" video included in this talk!






Sent from my iPad




Sunday, November 10, 2019

TangoMayaFest Sunrise

Saturday, November 9, 2019...shooting the sunrise Saturday morning with my Movi Freefly Gimbal - handheld...shot in 4k...be sure to click the full screen icon or click through to Vimeo and select the 4k setting....





#tangomayafest2019
#tangomayafest
#cancunmexico
#cancun
#4Kvideo
#4K
#iPhoneX

Un disparo en la noche . Documental (Completo) (ENGLISH/FRANCAIS)



Una orquesta de tango, doce cantores y doce nuevas canciones.

“Un disparo en la noche” reúne a los más importantes exponentes del tango contemporáneo y logra un punto de inflexión en la discografía del más emblemático patrimonio argentino.

El documental, filmado completamente en Buenos Aires por el director Alejandro Diez, muestra el detrás de cámaras de la producción de este álbum, describiendo la filosofía que precede al trabajo en estudio y mostrando -al mismo tiempo- una mirada sobre el tango de hoy.

Un disco grabado en menos de seis horas en los míticos Estudios ION –donde grabaran Piazzolla, Stampone, Salgán, Pugliese, entre cientos- es narrado en imágenes, música, momentos ad libitum y entrevistas con los principales protagonistas de la actual música ciudadana.

La nueva época de oro del Tango afirma no sólo la música, sino el valor de la canción para el desarrollo de nuestro género popular.

Dirigida y Editada por Alejandro Diez



==========================



Google Translate:

An orchestra of tango, twelve singers and twelve new songs.
 
"A shot at night" [a shot in the dark?] brings together the most important exponents [components?] of contemporary tango and achieves a turning point in the discography of the most emblematic Argentine heritage.
 
The documentary, filmed completely in Buenos Aires by director Alejandro Diez, shows the behind the scenes of the production of this album, describing the philosophy that precedes the work being studied and showing - at the same time - a look at today's tango.
 
An album recorded in less than six hours at the legendary ION Studios - where they recorded Piazzolla, Stampone, Salgán, Pugliese, among hundreds - is narrated in images, music, moments ad libitum and interviews with the main protagonists of current citizen music.
 
The new golden age of Tango affirms not only music, but the value of the song for the development of our popular genre.

Directed and Edited by Alejandro Diez





Thursday, November 7, 2019

To every leader

To every leader who refuses to learn and implement tango codigos, cabeceo whenever possible, and most importantly, impeccable floorcraft and navigation, fuck you.


Strong letter to follow.


Teachers who refuse to make floorcraft and navigation part of every single class, you're not off the hook either.


Festival organizers who refuse to address f&n proactively, y'all too


#floorcraft
#navigation
#codigos


Sent from my iPhone

Festival Organizers :: Spring for padded chairs

Spend the few extra dollars for padded chairs...

My bony ass will thank you...

#TangoMayaFest2019, my ass thanks you...

Sent from my iPhone

Tuesday, November 5, 2019

Rules of the road :: Felipe Martinez:: SF Tango Marathon

RULES OF THE ROAD

Treat each other with COURTESY and RESPECT. We may have different styles, opinions, values in tango (and elsewhere), but we all share the same passion.

Invitation: Use CABECEO. Followers, be proactive. Leaders, be clear with your intention, invite with a nod and re-confirm before you approach the follower.

Entrance: Catch the eye of the approaching leader and receive acknowledgement before entering the floor. Merge smoothly and move with the flow of the ronda right away.

Flow: Move with the ronda - do not hold up traffic and do not overtake. If bumping, apologize even if it is not your fault.

Exit: Leaders, accompany the follows to their seats and CLEAR THE FLOOR after the tanda. This allows dancers to use cabeceo to invite a partner for the next dance.

Absolutely NO TEACHING on the dance floor.

Safety: Any harassment or abusive behavior is unacceptable. If you feel threatened, let the staff know immediately.

Sent from my iPhone

What if tango was like that? - Tango Argentino Festivals

From Dimitris Bronowski at www.tangoargentinofestivals.com

He raises some interesting questions and shines a light on a new mindset/concept. Well, not exactly new, but not something that is very prevalent, I don't think.


Be sure to click through to the post on his website and read the comments.

What if tango was like that?

Last night I went out for tango, and something beautiful happened.

First of all, you need to understand that I don't dance so much as I used to.

Not because I don't like it.

My focus is on playing with my son when I am not working, and he is too young to join me at a night out.

But yesterday I felt this need to dance.

I was working all day long listening to tango music in parallel, and both my body and my mind was telling me it's time.

I kissed my son and wife goodnight and went to the TanGoLisboa weekend.

As usual, I didn't start dancing right away.

I gave myself time to absorb the music and the environment.

When I danced my first tanda, I was not in the mood for the usual conversation.

You know "where do you come from?", "how many days are you staying here?"

I simply asked:

-What do you like most about tango?

Silence.

She took a while to respond.

Who asks this kind of questions, right?

-Connection, she said.

We danced one more song.

-You didn't ask me "Connection with whom?", she said at the end.

I asked.

-With myself.

-Why?

-It is my active meditation.

-Why do you need it?

-It helps me grow.

Now I was intrigued. 

What if I kept doing that all night long?

What would I discover?

The next woman I danced with, simply said:

-I love to meet complete strangers, from anywhere in the world, and know that I have a language to communicate with them.

Beautiful, I thought.

I received many answers that night.

-Because tango shakes my soul, another one told me.

And then, it happened:

–To stay alive, she said. 

I won't share more about this conversation, it is too personal.

But it led to one of the deepest, most emotional tandas of my life.

Why?

Because I saw the soul of that person, and the healing power of tango.

-If you want to improve in tango, I said to myself, focus on using your dance to heal, to give joy.

When you put that as an intention, all answers become easier.

I watched this old tanguera sitting, almost all night long. 

At one moment a man looked at her, she smiled, ready to dance.

He walked closer to her, and and then he simply continued walking to dance with a woman a few steps behind her.

The old lady, who was already on the move, continued by grabbing a glass of water, to cover her misunderstanding. 

I saw her face turn sad.

It was not her age that made me take the following step, nor pitty.

She had the calmness that only people that have lived a full life have.

It was this simple realization, of the power of a simple embrace.

I went closeby, I looked at her.

She looked at me, and then looked down again.

I kept my gaze.

She looked again. 

And then looked down again.

Then she looked for a third time, full of disbelief.

I finally had time to smile back and move my head pointing to the dance floor.

A huge smile appeared at her face.

You might ask how the tanda went, if we danced beautifully.

To this I would say that it was a true joy, and that you are asking the wrong question.

We shared a moment, as humans, no matter our age difference, ethnicity, beliefs… and that's what matters.

I left this tanda happier, and I hope she did the same.

What if we all danced to spread joy and to heal?

How would a milonga look like in that case?

That's a milonga I wouldn't miss for the world.

That night I saw people that are passing through hard divorces smiling.

I saw a woman who is about to lose a person she loves and hasn't even had the chance to see yet, or touch its hand, to dance and let go. 

I saw people… connecting with people. 

Finding healing moments.

And I said to myself again:

-What if we were all dancing to heal and be healed?

-What if?

You need to know that my vision is to help tangueros and tangueras create meaningful moments in tango and moments of personal transformation.

For that reason, the last three months I work 10-12 hours per day, to help tanguer@s find free accommodation so they can afford going to more festivals and marathons to dance, find maestros they love so they can progress faster, find festivals they love so they can experience tango.

To do that, it is important to understand why people dance in the first place, and what can be done to improve everyone's experience.

And I could use your help. 

Can you share why you dance in the comments below? I want to know, it matters. Not just for you. Your answer might help many other people. Plus, I want to see YOU. Sharing your why, is where true connection starts. I shared my answer below.

P.S. If you feel more people should join this conversation, please share, the social media buttons should be somewhere around the text.




Sent from my iPhone

Sunday, November 3, 2019

A beginner reviews ‘Our Tango World’ | journey of a trainee tanguero


A beginner reviews 'Our Tango World'

Our Tango World, 1: Learning and Community is an oddly prosaic title for an extremely poetic and impassioned book. I couldn't help but feel that it deserves something more akin to Twelve Minutes of Love.

But the fact that I'm writing this review a little over 24 hours after taking delivery of the book is testament to the fact that this was my sole disappointment …


I've written before about being inspired by Iona Italia's blog, so when I saw that she had a book on the way, I ordered it the moment I saw it was up for pre-order. (And in doing so, robbed Steph of one of her planned xmas presents for me; she sent me the link, intending to judge from my reaction how interested I would be in reading it, only to find that, 30 seconds later, I'd ordered a copy.)

Iona devoted a decade of her life to tango in Buenos Aires; I'm a three-month-in beginner. Parts of OTW are like hearing tips for constructing the Large Hadron Collider while I'm still trying to construct a lever using two pencils on a desktop. But it's testament to her communication skills that almost all of the book is accessible to someone who had to Google some of the terminology.

When she talks about feeling a leader's smile as she wordlessly draws his attention to a violin part he'd never before noticed, that is something so far beyond my imagining that it might as well be written in, well, Spanish. And yet, rather than making me feel depressed that I was three feet from my front door on a walking circumnavigation of the globe, I felt inspired to see just how far the tango journey could take me, should I have the desire, dedication and deftness needed to reach such a level.

Part of that is perspective, of course. Remembering, as someone recently commented on an earlier post, that tango is a journey, not a destination. But much of it is in the way Iona makes you view the infinite levels to tango as an opportunity, not as a series of steps that must be climbed.

It's full of advice that seems equally useful to a beginner as to an intermediate dancer. I'll give just one example of many. Dissociation is one of the harder challenges for beginners – or British male ones, at any rate. Understanding how is key; but Iona's simple description of the 'why' is one which really helps me think about what I'm trying to achieve – the sensation I'm aiming to create.

In tango, everything begins with the intention of embracing. Dissociated, spiralling movements start from a desire to reach around and encircle your partner.

My copy of OTW is not yet 36 hours old, and is already full of turned-over corners, highlighted sentences and vertical lines alongside paragraphs. On a second reading (for this is not a book to read only once), I'm sure it will acquire more of each. It's written so beautifully, part of me feels like I'm defacing a work of art. But, for me, it's testament to the quality of a book.

This has always been my approach to books with things to teach me. They are tools which demand to be used. There is so much value that would be lost if I relied on the optimistic idea that these ideas will somehow seep into my dance at just the right time. Iona talks much of the value of practice. This is no different. These are nuggets which need to be revisited and consciously infused into my tango. Letting these things go forgotten would be so much uglier than yellow streaks on the page.

I will be photographing each of those highlighted passages, and pasting them into my tango notebook. Picking out one at a time to act as a second focal point for my lessons each week.

In some ways, OTW is a textbook. There are thousands of words of practical advice applicable, I suspect, to dancers of almost every level. It's a guidebook to the tango world. But it's also a poetic journey into that world, lived through the observant eyes and thoughtful mind of a devoted traveller.




journey of a trainee tanguero :: ben lovejoy blog :: ben goes to BsAs


Next stop, Buenos Aires!

Everyone says it's only a matter of time. Take up tango, and at some point you're going to want to go to Buenos Aires.

I'm fortunate enough to have some local guides. Steph has been before, so knows her way around a bit – and, handily, speaks Spanish. Diego kindly gave us a literal day-by-day milonga schedule, with a taste of everything from uber-traditional at one end through casual porteño to 'underground.' I'm having a lesson and a drink with Iona Italia. And a friend who visits often has put us in touch with someone who is taking us to a barrio milonga a little way outside the city …

Continue reading →




#TrumpBooedAgain

Saturday, November 2, 2019

I haven't been to a Tango Festival in a long time -- Tango Maya Fest next week!




Not counting our local Austin Spring Tango Festival, which is like 5mins from our house. But a real, bona fide, big-time, fancy-ass tango festival. Probably Denver back in 2007. I guess I've really only ever been to two - multiple times each - Denver and Atlanta. Fandango de Tango back when it was in Austin - tango with lots of salsa and really bad DJ's. And then our Austin Spring Tango Festival, which we didn't go last year b/c we're boycotting. We were thinking about going this year, but then we heard they want to allow the reason we're boycotting to come back into the community, even though our primary venue/organizers have laid down a lifetime ban on the reason we're boycotting. Anyway, I digress. I'm going to write about that subject - the reason we're boycotting subject. Some day.

So we're headed to the Tango Maya Fest next week. Cancun. Mexico. A week of R&R. Sun, sand, swim, sleep, read, eat, dance, fuck, make love, and all that jazz. Three or four hundred dancers. I'm looking forward to it. Excited actually. I don't get excited, except when we're gonna, uh...never mind. Sugar G always excites me. Plus I need a vacation. This is kinda our first "real" vacation together. We did go to Marfa at Christmas. Oh yeah, New Orleans Tango Festival a few years ago. That one too.

Fwiw, Sugar G has attended this festival several times. Maybe even many times. This year is number 9 for the festival. I think she's attended at least 5 or 6 years.


So I guess I'll post and report a bit. Maybe. We shall see.


The headliners/maestro-as/teachers:


Sebastian Arce & Mariana Montes





Guillermo de Fazio & Giovanna Dan





Luciano Brigante & Alejandra Orozco (the festival organizers!)





Daniela Roig & Hernan Prieto





Guillermo Salvat & Miriam Lea




Class/milonga schedule
click to view a larger image






#TangoMayaFest2019
Tango Maya Fest 2019